“The Breaking Point": Adapting Hemingway’s Critique of Capitalism in "To Have and Have Not
In his chapter on film noir, “The History of an Idea,” James Naremore evokes the numerous literary influences on film noir – not just...
Review: "Film Gris: Crime, Critique, and Cold War Culture in 1951," by Charles Maland
In “Film Gris: Crime, Critique, and Cold War Culture in 1951”, Charles Maland discusses the golden age of film gris in Hollywood cinema,...